by Jasper Coppes & Daniel Lee
FLOW COUNTRY is a collaboratively written piece of fictocriticism by artist Jasper Coppes and archaeologist Daniel Lee.
Based on their earlier cinematographic ventures into a contested site in the far North of Scotland, the book is a reconnaissance of real and imagined sites – taking shape as a liquid land that fluctuates between blanket bog, film emulsion and literary space. The book offers a possible way out of the many ‘transformation-narratives’ that tried to exploit or reform this vast terrain.
Dimensions: 4.33″ × 7.36″ × 0.31″
Publisher: Publication Studio Glasgow and My Bookcase
Order your copy here: https://www.publicationstudio.biz/books/flow-country/
Posted in Art and Archaeology, Book, Collaborations, Contemporary Archaeology, Experimental Practice
Tagged 16mm film, Caithness, Daniel Lee, fictocriticism, Flow Country, Jasper Coppes, Landscape, My Bookcase, Publication Studio Glasgow, Sutherland
Flow Country (No 2.) 12 mins: View the film here
Directed and edited by Jasper Coppes (NL)
With Daniel Lee – Archaeologist (University of the Highlands and Islands, UK)
Casper Brink – Cinematographer (NL)
Malu Peeters – Field recorder (NL)
Alan Currall – Narrator
Hyun Tae Lee – Animator
Released on Rietveld TV by Gerrit Rietveld Academie
In Flow Country, an anonymous narrator investigates a 16mm film as an archaeological record. He wonders to what degree the landscape it depicts influenced the production of the film. While scanning the stark images of a deserted landscape, the idea arises that the ‘archaeology of the present’ can be a site of production – where ecology and people play equal parts. The role of the archaeologist transforms from being the observer of a disconnected past towards becoming an immersed wonderer, actively creating future historical layers.
The film forms the latest addition to an on-going series of works in relation to the Flow Country, Forsinard, Sutherland, Northern Scotland, UK.
Posted in Art and Archaeology, Collaborations, Contemporary Archaeology, Experimental Practice
Tagged 16mm film, Anthropocene, Contemporary Archaeology, Daniel Lee, Forsinard, Jasper Coppes, Sutherland, Walkover survey
In May 2016 I collaborated with artist Jasper Coppes to make a short 16mm film shot in the wilds of the Flow Country, Caithness and Sutherland, northern Scotland. The resulting film was shown in the Scottish Competition at the Glasgow Short Film Festival 2017 and won special mention in the Scottish Film Award.
Flow Country: UK, Netherlands, 2017. 16mm
A film by Jasper Coppes, with archeologist Dan Lee, cinematography Casper Brink, field recording, audio post production and sound design Malu Peeters.
Coppes writes …. Like a visual fieldwork notebook, the fragmented scenes of a 16mm film pose a question: what does it mean to survey the layers of past and present in a desolate landscape? Remnants of ecological and social transformations are brought into view as historical records of a contested site. The Flow Country is the largest expanse of blanket peat in the Northern hemisphere and is of international significance because it provides a habitat for many unique and rare communities and species of specialized flora and fauna. Attempts at industrialization in the form of tax deduction forests, military test flights, hydropower, nuclear and wind energy have left their mark. More recent changes to the landscape were initiated by peat land restoration, wildlife protection and research into the carbon reducing capacities of moss. By navigating sound equipment and camera through the land in the company of an archaeologist, the film superimposes earlier attempts to designate or desecrate this vast expanse – blurring the distinction between that which is, has been or is yet to come. Flow Country investigates the medium of 16mm film as an archeological record in itself. It proposes the idea that the ‘archaeology of the present’ can be a site of production. It directs the role of the archaeologist from that of the observer of a disconnected past towards that of an active agent in the creation of future historical layers.
Review from Eye for Film: http://www.eyeforfilm.co.uk/review/flow-country-2017-film-review-by-andrew-robertson
Made possible with the generous support of Camera Rentals and the Mondriaan Foundation. Dan Lee was supported by the UHI Archaeology Institute.
Depressive Cop (2016) by French film maker Bertrand Mandico has been released.
A drepressed cop (played by Sergie Ivanov) attempts to investigate the case of a young girl, who’s distraught mother blames islanders for her disappearance. The girl reappears and the mothers strained relationship with her daughter emerges. Played by the same actress, Elina Löwensöhn, the mother and daughter blurr into one. The depressed cop is too caught up to notice.
Shot on Papa Westray (Papay) in Orkney during the Papay Gyro Nights Art festival 2015, the film continues the manifeste cinématographique – International / INCOHERENCE manifest – developed by Mandico and Icelandic film maker Katrin Olafsdottir. Film info here. We played extras in the final party scene film at Aalsker.
During the filming I made an experimental map of Papay by walking around the island. Gathering all the fragments, encirling the island was the result of several years of collaboration, mapping and friendship on Papay. The party scene from the film formed the central node site for the walk; marking the film onto the island.
The walk and map is dedicated to Sergei.
RIP Sergei Ivanov.
Posted in Collaborations, Contemporary Archaeology, Experimental Practice, Mapping and Walking, Papa Westray, Papay Gyro Nights
Tagged 16mm film, Archaeologists in residence, Bertand Mandico, Daniel Lee, Depressive Cop, GPS tracks, Map of Papay by Walking, Orkney, Papa Westray, Papay Gyro Nights